Nancy, Author at Itch.world - Page 18 of 20
A three-minute escape to Italy.
Tuscany, travel, medieval village, Italy, festivals, celebrations, customs, cooking, recipes, living in Italy, moving to Italy, visiting, visit, restaurants, language
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Caramelized red onion jam

I find it really hard to find a restaurant I like in Florence. Most are completely geared towards tourists who will only come once, with food, prices, and service to ensure that the one visit expectation will be fulfilled. I’ve found a couple of places that are exceptions: Il Santo Bevitore restaurant, and its two spin-offs, the little wine bar next door, Il Santino, and a bread shop, S.forno. They are across the river from the Duomo in my favorite neighborhood which is filled with actual Florentines, and small shops and restaurants.

The restaurant is lovely, but the wine bar, Il Santino, has stolen my heart. It’s tiny, a gorgeous mix of ancient walls, an antique bar, and more modern design elements. It has an atmosphere that’s both warm and hip. The staff has been a delight every time I’ve been there, and even sold me bulk cheeses when I’ve been stuck before a party.

I recently went with friends for a glass of wine and some snacks and alongside the great selection of cheeses was a little jar of nearly-black goop. We started eating it with everything, kept asking for more, and then asked for the recipe. It’s a great mix of savory and sweet, with a little extra kick from cinnamon. My friend made it the next day and it turned out wonderfully. It’s super easy too.

Caramelized Red Onion jam:

6 red onions

3/4 cup sugar

1/2 teaspoon cinnamon

dash of olive oil to coat the pan

Slice the red onions, then saute with a little oil, over medium-low heat for about 30 minutes or longer—until completely they are soft and caramelized. Add sugar and cinnamon, then put into a food mill and process until it reaches a smooth consistency. Taste and add more sugar and/or cinnamon as desired.

Great served at room temperature with cheese and bread. Also fantastic with cheese and bread are the preserved figs.

 

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From the mouth of frogs

Many pastas come from very ancient traditions, but I recently discovered a pasta that is far more recent in origin. I’ve been intrigued by it since I spotted it on the shelf in a workers’ restaurant—the one with chef who rolls cheese for sport. The label reads “Bocche di rana”—”frogs’ mouths.” I thought I must be mistranslating until I bought a package and started looking closely at the pasta inside.

Frogs’ mouths pasta vs. its more boring cousin, the paccheri

The small, ribbed tubes of pasta are shaped a bit like a big rigatoni, or a paccheri, but the end of each pasta droops in a unique way that looks remarkably like how I could imagine a frog’s mouth moving when expressing a range of sounds and feelings.

I took it home and played with the pasta for an embarrassingly long amount of time, imagining them as frogs. I mean I didn’t make up voices or anything, but did look through most of the package finding the most amusing ones. It was an excellent break from thinking about politics.

I tried to find out more about this shape of pasta, but came up empty handed. (With the exception of a frog’s mouth being a kind of helmet in a suit of armor. Can you imagine going to war and asking your squire “Hand me the frog’s mouth and I will be ready for battle!”)

I drove over to the restaurant to talk with the chef’s son, who I had heard is friends with the people who started the small, local pasta company, called Toscodoro. He told me that he occasionally helps out with the pasta creation. One day they were trying to make paccheri, and kept failing because one side collapsed in unpredictable ways. And the frogs’ mouths pasta was born.

We love it—and its more more-predictably shaped cousin, paccheri—with any kind of meaty, chunky ragu sauce. The New York Times recently had a seafood recipe perfect for pastas shaped like paccheri, rigatoni or our frogs mouths, which sounds interesting to try.

 

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Con Calma

One of my favorite Italian expressions is “con calma,” or “calmly.” I hear it used several times every day.

The phrase is very different from “calm down” in English, which, to me, has this slightly judgmental, and even a bit condescending quality, that hints that you are overreacting. The effect is to make me feel less calm. By a lot.

A perfect example of “con calma” was a morning when I was at a cafe near the beach on a small island. There was a big crowd of hungry people waiting for their morning coffee and pastries, and only one woman working—her two co-workers hadn’t come into work that day. The waiting crowd kept telling her “con calma.” With calm. Meaning we get it, you are doing the best you can, it will all work out, breathe.

There’s a local restaurant that we love that serves squares of pizza from big sheets and little else. There’s the wife who serves and works the register, and the husband who cooks in the back. The two could win the Olympic gold in pairs for “con calma.” It’s always a comforting and calm experience eating there, even on Wednesday lunch during the school year.

Wednesday is the long day at the town’s public schools, so the kids don’t get out in time to go home for lunch. The elementary school has a hot lunch provided, complete with three courses, china plates, and actual flatware. Served by volunteer grandparents at long tables. But there’s no school lunch available for the middle school students, and people seem to fear that they might go hungry, or have to eat something cold, in which case the world might end. So parents have organized this thing where a couple of them go to this restaurant with all the kids’ requests for pizza—all custom made and assembled into labeled bags—which the volunteer parents then deliver back to the school a couple of hundred yards away.

The restaurant comes to a standstill for other patrons, who all stand around waiting for about 45 minutes while the staff of two completely focus on each order for the kids. “Paolo gets one slice of salami pizza and one hot dog pizza, a bag of chips, and a Fanta.” Times about 30. It’s town “con calma” in action for all concerned—the relaxed and understanding patrons, the husband and wife team, and the parents who make it all possible. No one is flustered or annoyed. After all, in Italy, everything stops to make sure that kids eat well.

I can’t think of an equivalent phrase in the U.S.—maybe because being calm, an acceptance that others are human, that situations come up, and, as a result, things might not move as quickly as we’d like—aren’t things we particularly value or want to accept.

As I go through my day and am stressed about little things I frequently tell myself “con calma” and it reminds me to save the stress for things that really deserve it.

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I love the Castle of Love

I avoided going to Castello di Ama for years. Friends would say “It’s the most amazing winery with this incredible contemporary art collection.” Instantly all the warning bells in my head would go off. This particular collection of words was a microcosm of why I left California. The last thing I wanted to find in my beloved, genuine, unpredictable, slightly-disheveled Italy was a pretentious, wrapped-with-bow-for-the-tourists, cold, and anonymous winery/contemporary art extravaganza.

But eventually, we took the plunge and went for lunch. And I was shocked out of all my preconceptions. It felt like coming to someone’s home.

Beautiful views, gorgeous old buildings, and damn good food and wine are all a given in Italy, but this experience had something more—a true warmth and grace—largely due to the staff who all seem passionately attached to this place. Our waiter, Federico, whom I’ve gotten to know over about the dozen times I’ve now visited, has that magical balance of heart, knowledge, and self-respect that is the hallmark of staff in a three-star restaurant in Paris. But here, everything happens in Italian, which is even more delightful. The food is inspired Tuscan classics, and the wine pairings spot on.

I am working on the recipe for their carrot-zucchini souffle and will post when I manage to make it as well at home as I’ve had at Ama. (I got the recipe from them, but it’s for 40 so takes a little adaptation.)

 

 

 

 

Ama is not really a castle, but rather a small hamlet which dates to the 1100s. The cluster of buildings was divided between two wealthy families, which resulted in two manor houses and two churches. In the 1970s, four Roman families decided to buy the hamlet and restore the vineyards. The current owner, Lorenza Sebasti (daughter of one of the Roman families), and her winemaker husband, Marco Pallanti, have had Ama since 1982, and oversaw one of the greatest upsets in wine history.

According to Decanter Magazine “Ama had a ‘Judgement of Paris’ moment on 8 February 1992 when the L’Apparita 1987 vintage beat Pétrus 1988, Le Pin and 16 other world-class Merlot wines at a tasting hosted by the Académie du Vin in Switzerland, with a jury comprised of renowned winemaking consultant Michel Rolland.” (And sometimes bottles of L’Apparita are open and available for tasting.)

 

 

 

 

 

 

 

The contemporary art is equally inspired. Ama has had an artist-in-residence program with artists such as Louise Bourgeois, Anish Kapoor, Hiroshi Sugimoto, and Daniel Buren creating site-specific works. I love how Nedko Solakov’s doodles play with everything from power outlets to small cracks in the wall in one large room. Jenny Holzer was having lunch when we were there —she’s the next artist to add to the collection.

There are also villas for overnight stays on the property. I’ve had a chance to peek into some of the  suites. Sigh. Hopefully at some point.

If you visit, Siena is only 25 kilometers away, and also nearby is the wonderful Terme San Giovanni.

 

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My pasta aisle is bigger than yours

Dear readers, I have decided that you do not, yet, know enough about pasta. I have started to accept as normal that there’s a pasta aisle bigger than Texas in every Italian grocery store.

On a recent trip back to California we were stunned to rediscover that the pasta section in Safeway was a mere 17 feet. Felt like trying to find provisions for a fine meal in a 7-eleven.

So I will begin to educate you. You need to be able to tell your frogs’ mouths pasta from your radiators and volcanoes. You need to know that al dente is far more crunchy than what you probably think. What sauces go with what shapes. That the cooking water needs to be salted far more than you probably do now.

And you need to know that you never have to do anything as uncontrolled as throwing pasta against a wall to test if your spaghetti is done. Italian cooking is far more scientific and precise than that. The know-all cooking times on the packaging need to be taken very seriously.

This spaghetti, for instance, is perfectly cooked at 11 1/4 minutes.

(Unless you finish cooking it in the pan, like spaghetti aglio e olio, when the spaghetti is removed two minutes early to finish in the pan with the garlic and oil, and a couple ladles of the pasta cooking water.)

Full disclosure—I don’t yet know everything about pasta. This is an excellent excuse for me to up my pasta game, and keep you informed of the discoveries.

 

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Making gnocchi, and a film, in Italy

John and I have this idea to start filming local grandmothers cooking. A possible way to enter more deeply into Italian life, capture some of the spirit of Tuscan woman, and learn more about food.

We gather some savvy, younger locals and start brainstorming about people we can shoot. The grandmother who hunts? Possible. The grandmother who makes feather whips for the lingerie store? Very possible. For our first shoot we settle on two of our collaborators’ grandmother in a house in the countryside outside of town, complete with a huge watermelon patch.

The morning of the shoot comes. We are prepared to act with military precision, which is the norm for any shoot. The “call time” comes to meet our collaborators and head to the country. The meeting location changes. The start is delayed because breakfast isn’t finished. Their grandmother actually lives in the ancient center of town, not near the watermelon patch at all. We start to get nervous.

We arrive at their house on a tiny street from the 1100s and the grandfather, Franco, jumps into cooking action. Maybe the premise of the video, cooking grandmothers, needs to be reassessed?

Then it all starts to unfold. The constant lesson of Italy. You can predict nothing, control nothing, but just step back and enjoy the gifts of grace, ease, and warmth that the Italians offer. Which more often than not is so much more than you could have possibly imagined or engineered.

Anna, the grandmother, is everywhere in the kitchen at once. This gnocchi pas de deux has clearly happened hundreds of times in their kitchen. Both of them are cooking with a rare ease, barely even looking at the food as they cook.

While Franco forms the dough for the gnocchi, and then shapes and cuts it, he tells us stories about what is was like for families growing up as tenant-farmers in the years before the “economic miracle” of the 1960s (thanks Marshall Plan), with 30 people in a house, hunger, limited mobility, and the Padrone with total power.

The conversation ranges across centuries and topics, and the enormous mound of gnocchi dough melts away. Anna is taking away the cut gnocchi, boiling it, and then rolling it in oil to separate and cool, directly on the marble table.

Soon after we sit down with the extended family to eat. As it has been said before, “And it was good.”

This is, in some ways, one of the most unfiltered films we’ve ever done. It’s as close as we can get you to sitting down in a Tuscan kitchen for a visit. Please let us know what you think of this rawer kind of glimpse. And we hope you learn a lot about gnocchi along the way.

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Easy figs to last through winter

Even on a tree, individual figs are only at their peak for a few days before going bad. Enter Franco. He’s the grandfather who you will meet in next week’s video who made gnocchi for us, along with his witty wife Anna. At the lunch that followed filming they served some preserved figs, along with pecorino cheese. The figs were sweet, but also complex, with just the right amount of a tart undertone. These weren’t like jam, but like the essence of fresh figs, preserved. Very simple, like the best of Tuscan food.

Franco offered to come over some morning when he wasn’t hunting to teach us how to make them.

I accepted the offer—Franco is the kind of cook I aspire to be. He never measures and hardly even looks at what he is doing because it is all so natural and familiar. And while he is cooking he is discussing everything from the power of the monasteries in the 13th-century to growing up as a tenant-farmer or the importance of constantly being exposed to new ideas.

Back to making the figs— get ones that taste great and are soft, but not overly ripe. Green or black figs work equally well. You will also need sugar, white wine vinegar, and small mason jars with lids. This recipe works well for small batches.

Cut the fig tops off and arrange in a heavy-bottomed pan so that they are in one layer. We used about 40 figs, which was 1.5 kilos (3.3 pounds) of figs. For this amount you pour over 400 grams (14 oz.) sugar and 60 ml (1/4 cup) of white wine vinegar.

Put over low heat. And wait. Franco occasionally pries the figs apart (either by slightly shaking the pan or gently using a blunt knife) so that the liquid that collects can coat all sides of them, but mainly leaves them undisturbed—no need to stir or flip them. After about 20-30 minutes, there will be a lot of liquid in the pan, and he spoons off the excess so that the bottom of the pan is well-covered but the figs aren’t drowning. And at this point, turn the figs so that all sides are well-coated. It amazed us that something as seemingly delicate as figs can withstand boiling like this, but they are a lot tougher than they look.

We normally boil mason jars, lids, and all implements, to sterilize but Franco’s technique is to run them through a hot dishwasher, fill the clean jars with the boiling contents, and then seal and flip them over to cool, thus ensuring that the boiling liquid reaches all parts of the inside of the jar. (For everything you need to know about recommended ways to sanitize and can, here’s a wonderful resource.)

Pack the figs in tightly, but don’t squish them, and add enough liquid to fill about a quarter of the jar.

These are delicious with cheese, and are also wonderful for breakfast with yogurt, or by themselves for dessert.

John experimented by adding one and a half inches of peeled and chopped fresh ginger to the cooking figs, which was a fantastic variation. The syrup takes on the ginger flavor, and the pieces become a soft ginger candy.

Next on the list to try before fig season is over is a modern take on a traditional Calabrian recipe—fig, vanilla, and orange blossom jam.

Another thing to serve alongside the figs is this fantastic caramelized red onion jam.

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Was ‘The English Patient’ born here?

One of my all-time favorite books is Michael Ondaatje’s The English Patient.  So I was thrilled to hear that the book was just awarded the Golden Man Booker Prize, recognizing it as the best work of fiction awarded the Man Booker Prize in the last 50 years.

I knew that the Italian part of the book was set largely in these parts. A major scene in the book takes place in front of the Piero Della Francesca frescoes in the Basilica of St. Francis in Arezzo—and throughout there are mentions of Monterchi, Anghiari, and other area villages.

This region is rich in war history, in large part because the front was stalled for months around here during the Italian campaign that lasted from 1943 to 1945. Locals still tell stories about the resistance, close escapes, tragedies, and recent finds of land mines and bullets.

There’s a rumor that this plaque—which stands next to one of my favorite restaurants in Monterchi—was one of Ondaatje’s inspirations for the book, inspiration that resulted in the incredible character, Kip.

The plaque commemorates three war deaths of The Central India Horse 4th Division—two men with Sikh names and one with an English name. Ditto Ram and St. John Graham Young both received the George Cross—the second highest decoration possible in England—for helping other soldiers out of a minefield they’d all stumbled into on a nearby farm. This assistance occurred after both had stepped directly on land mines and before they died minutes later. Almost 50,000 Sikh troops (mostly men between ages 19 and 22) fought in Italy.

Every year, the plaque is freshly decorated with a wreath of paper red poppies, a British tradition to honor those who fought, and died, in war.

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Small world

A couple of my friends have asked me what daily life is like in a small village. It’s a little like this:

I enter the butcher shop. It’s market day, so it’s very crowded. There are two butchers, brothers. The taller one is holding court on the raised platform behind the glass shrine of meat. They are both in their 50s and always seem to be in a great mood … always. Friends of mine who visited were amazed to see one brother telling jokes over his shoulder while whacking a huge hunk of beef down to size with a foot-long cleaver.

This tendency might explain the missing part of one finger.

Today, he pauses between customers to cut a sample of porchetta (a delicious Tuscan thing—a roasted whole pig stuffed with herbs) and has the crowd pass it to a specific customer, a woman in her 50s who is with her daughter and is seated near the door. The daughter says loudly enough for everyone to hear: “He spoils you.” The butcher says: “I was in love with her when we were in preschool.”

At this point, another patron, a grandmother who is just tall enough to see over the meat part of the shrine but not over the top of the glass, adds: “No you weren’t. You were in love with Clementina.”

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The pasta we can’t quit (and recipe)

When I want a mini-vacation—and lunch—I head to the sleepy Tuscan hilltop village of Monterchi. In the piazza at the top is one of my favorite family restaurants, Ristorante Al Travato.

It’s only open from-kinda-around-Easter to kinda-around-the-end of October, depending on the weather and the back health of Laura. The family first opens the restaurant on weekends only, then slowly builds, with the heat, to being open most days in summer, and then winds it all back down in the fall. What they do all winter I am not sure, although they’ve hinted it involves skiing.

Marco, Laura’s husband, finds the wines for the cellar—a cave that goes back into the medieval walls—and Laura cooks. Two of their teenage daughters serve (yep, beauties. We can even get our 14-year-old son to eat there whenever we want), while the youngest daughter rides around the square on her small, enviable pink bike.

Our family craves one dish in particular, at least once a week— Spaghetti Aglio, Olio e Pepperoncini—true Tuscan soul food. It’s spaghetti that’s properly al dente, loads of garlic, and a few really hot peppers, all swimming in olive oil.

While it’s simple in its ingredient list, differing opinions of how it should be made abound. You could say of Laura’s (off-menu version): “questo spacca di brutto” (“this chops off the ugly”—I know, the translation doesn’t help me either, but the kids say it means something is a big deal). Best of all for anyone who wants to bring a bit of Italian soul food into their kitchen, it’s easy enough to do tonight with ingredients you probably already have on hand.

Here’s a two-minute video on how Laura makes the definitive Tuscan comfort food.

A cooking note: you’re going to save some of the water from cooking the pasta when you drain off the rest. Also—do this before the pasta has reached the “al dente” (still slightly firm when bitten) state. It will finish cooking when added to the pan with the other ingredients (while the last bit of cooking water helps their flavors go inside the noodles).

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