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Postcard: Making the McDonalds

In a swirl of pre-production chaos dinner looms and I go down to the nearest butcher shop knowing I can get everything I need to make hamburgers. There are about six people in line in front of me and while I wait I grab the only package of hamburger buns on the shelf. After about five minutes it is my turn. The woman behind the counter carefully cuts off pieces of beef, from cows raised nearby, to get the right mix of lean and fat, seasons it all, puts it through the grinder, then shapes and presses patties, carefully separated by paper and wrapped. While this is happening a line of about six people grows behind me. I ask for some cheese from the big block and she asks how thinly I want it sliced. I point to the burger patties and buns and she says with a big smile “Fai il McDonalds questa sera?” (Are you making the McDonalds tonight)? I laugh back and answer “si”.

The six people in line behind me can’t contain themselves and all jump in with a rush of opinions about McDonalds. The man behind me says that McDonalds would never have beef of this quality, and that you can’t even compare the two. The woman next to him says that she has heard that the buns McDonalds uses are often several years old. (I do not point out to her that the ones I just got off the shelf had probably been there since World War II.) Someone else volunteers that they have never been. I calmly assure everyone that even though I am American I am not a fan of the chain and much prefer to make my own McDonalds at home.

There is a palpable release of tension at my admission and with a cheery round of “ciao” and “buona serata” I am on my way into the dark night.

 

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An Italian’s DNA surprise

Itch is delighted to feature more from our Italian abroad, Gianna della Valle, with ideas about how to live more like an Italian no matter where you are. She has made a study of how to bring elements of the Italian way of life into her adopted, more frenetic homeland.


As an Italian living in London people ask “Where are you from?”

Easy for me to answer as my family, for many generations, came from the same hamlet in northern Italy. My father and my mother were neighbours and my grandparents and their grandparents and their grandparents knew each other for as far back as anyone could remember. That’s Italy for you. We have roots. Family trees. It means families are like trees, solidly rooted in places. People and generations may be the leaves and branches but the family is the tree. A tree stubbornly planted in front of that hill. Nothing to do with aristocracy or anything fancy. Simply, we are from there. And in the house we can find things left by a great grandparent (or a great great great) that have survived layers of renovations and are a reminder that we always leave something behind. Better it be useful.

Then I came along and at some point in my twenties decided to pack and followed the North Star, which after some years in Germany led me to London. I still feel the guilt. And after decades I am still given “the traitor treatment” when I go back. “Italy is so perfect and beautiful,” the logic goes, “why did you leave? There were no wars or major disasters. There was absolutely no reason. Why?” I must say, in my defence, I did ask my grandfather for his blessing before starting this adventure, as I always sought his wisdom. And his simple question was “What is it that you like so much over there?” I thought for a few seconds and my answer was “because I look at the sky and the clouds are always running.” “Well then, go.” And that was that. The clouds are always running in England – unlike the Italian sky where not much moves in days. And the constant breeze, the smell of water and wet grass. From the first time I was in London it felt like home. And so it has felt ever since.

A couple of years ago I was having drinks with some colleagues and the topic was DNA testing. A few of them had tried it and it unlocked new learnings. I laughed. I certainly would not need the results to tell me where I was from! I definitively knew! Anyhow, there is nothing like a pub challenge, and there I was with my saliva in a tube, sending it somewhere unknown.

I was due for a shock when the results came back. There was not a drop of Southern European blood in my body. I was from the North, up to 30,000 years ago my ancestors were from somewhere North – between Denmark and England. I thought this must have been a mistake. So I sent a sample from my mother in a way that would not in anyway highlight we were related. And my father. No, niet, nada. Not a single whiff of truly Italian stock in our tree that seemed so stubbornly planted in front of that hill! But I was truly the daughter of my mother and my father (so no surprises there, in case you wondered). I reach out desperately to other people with more obviously diverse backgrounds – and yes, their results were correct. So it was true. I was ultimately from a place where the clouds are running.

What about my parents? What did they think about it? Nothing really — it’s easier to believe what we could see and touch about our ancestors’ belongings, sprinkled around our house like fairy dust, than something so far away and questionable like a saliva swap sent to a faraway lab in Canada.

When we look with a horizon of 30,000 years the history of humanity is one of change and movement and that’s the fascination of DNA tests. There is so much tension today about where we are from. Shouldn’t we all just look up at the clouds in the sky?

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The Artist Formerly Known as Mommy

(or “And Then There Were None”)

I am ripe for a personal rebranding. This summer before both kids left for school in London I told the family to prepare to get to know someone new — The Artist Formerly Known as Mommy. The kids looked at me with a mix of annoyance, fear, fascination, and pity. “You know, like Prince,” I added. “After he became a glyph.”

I remember the moment when my current identity started. When “Nancy” became “Mommy.” I was pregnant with Donella and John and I were taking a vacation in Italy. We were eating at a very nice restaurant when I started to cry. For a moment I wasn’t at all clear why tears were running down my face as I was thrilled to be having a baby. Then I got it and managed to sputter out to John that I was sad to be saying goodbye to Nancy while I morphed into Mommy.

Now the moment has come to change course again. It’s intimidating. Such a wide open plain of possibility. Going back to the old Nancy doesn’t seem quite right, nor does remaining Mommy. Hence TAFKAM.

Then I get a series of texts from Sebastian needing IKEA-level blow-by-blow instructions about how to log onto Vueling, check in, and get his boarding pass for his flight back to Italy. And a call from Donella with the latest ups and downs of dorm life.

A friend recently told me it’s not about the “or” it’s all about the “and.” (Ironic advice as I remember all the work with did with Carly Fiorina at HP when the and/or thing was a mantra that she’d frequently center speeches around. I scoffed loudly but it is kinda true.)

So the true art for TAFKAM will be how to blend the two prior manifestations into the future in the right mix. Shedding some things while growing others. And so much around getting to the next level of Italianness.

A friend was recently reading Norah Ephron’s I Feel Bad About My Neck and shared this quote.

“The day finally comes. Your child goes off to college. You wait for the melancholy. But before it strikes—before it even has time to strike—a shocking thing happens: Your child comes right back. The academic year in American colleges seems to consist of a series of short episodes of classroom attendance interrupted by long vacations. These vacations aren’t called “vacations,” they’re called “breaks” and “reading periods.” There are colleges that even have October breaks. Who ever heard of an October break?”

Gotta go to pick up Sebastian at the airport. He starts his TWO-WEEK October break today…

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Dinner theater and the Genoa disaster

Few Italians will forget where they were the moment they heard about the collapse of the Ponte Morandi bridge in Genoa, which killed 43 and left over 600 people homeless. It hit a nerve beyond the sheer horror of the disaster. Italians are master engineers and pride (I’d venture to say even define) themselves on the beauty and engineering elegance of their creations, especially in the heyday of the Italian economic boom of the 1950s and 60s. This 1963 bridge, designed by Riccardo Morandi, was internationally famous for its beauty, but also for its bold use of structural concrete, and the collapse was a blow to national dignity.

(image from the Financial Times)

But beyond that the collapse speaks to the Italian belief that corruption is endemic and that the common people pay the price. The bridge was maintained by the Autostrade per l’Italia company (largely owned by Benetton) which is a hugely-profitable monopoly running the network of expensive to use, but fast, roads in Italy. Turns out the inspection company has ties to, and shares offices with, the company they are chartered to inspect and regulate.

Which brings us to Anghiari’s annual play, the Tovaglia a Quadri, dinner theater created, produced, and performed by a small team over a course of ten nights in August. Tovaglia a Quadri is written weeks before the performances so the topics are fresh, and it serves as an annual hard look in the mirror about the issues challenging Italy and village life. (Here’s Itch on last year’s play about how Amazon is changing local life.)

(all photos from Tovaglia a Quadri, including at top, courtesy of Giovanni Santi.)

This year, with the Genoa disaster looming in the background, they wrote about our local brush with dangerous bridges. The E45, which is the longest north-south freeway in Europe (starting in Alta, Norway and ending 5,190 kilometers away in Gela, Sicily) runs right through our valley. The section that goes to the Adriatic coast passes over some really high, long viaducts. Soon after the Genoa disaster a truffle hunter in a forest under one of these massive bridges happened to look up and notice the horrible condition of the bottom of the roadway and took some pictures. The result was this major artery of Europe being completely closed for months while the situation was assessed. (It’s now been “solved” by opening only one lane, slowing the speed limit to a crawl, and limiting heavy trucks. Every time I have to drive it I hold my breath.)

The irony for the writing team of Andrea Merendelli and Paolo Pennacchini is that where the truffle hunter took the photos was on a 2,000 year old Etruscan road, still viable, and used even today for the migration of animals from the mountains near us to Maremma on the Tuscan coast, called the transumanza. The bridge that is failing was built only 25 years ago. And there’s the added dimension that our valley shut a flow of traffic, goods, and ideas from across Europe. (Politics, anyone?) The title of this year’s play is ViaDotta, which is translated as viaduct, but also via, or way, of dotta, which is between wisdom and knowledge.

The plot follows from there, including a scheme from a local entrepreneur to showcase the transumanza to local tourists, against the will of the locals who love their pets but are not in favor of other domesticated animals being in such close proximity. In a very funny scene the entrepreneur insists that the shepherd he hires change from his usual attire of a t-shirt and sweats into one that the tourists would associate with the calling—scratchy white wool.

I was particularly interested in sharing this with you when I saw that a New York Times article about this year’s topic—the transumanza—was on the most popular articles list last week. I also saw a video about it at a London Tube station this week.

Just for the record, Anghiari got there first. I knew I’d be on the cutting edge when I moved to a tiny Tuscan village.

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Seven ways to beach like an Italian

After taking a brief break from Itch to spend time doing August-y things with visiting family and friends — which I decided is truly Italian — it’s time to get back to writing. While doing vacation activities, like hanging at the beach on Elba Island and our neighborhood pool, I’ve noticed a few ways in which Italians relax differently.

1. The more crowded the better. Why would it be any fun to go to the beach or pool when it is not packed? The reason to be there is to see and be seen, hear the latest gossip (le chiacchiera), and know you are in the right place because everyone else is too. Any civilized beach will offer chairs and umbrellas to rent in rows as closely packed together as possible — beach to beach these range widely in price and luxury level. Having a chair is really important as it provides a base of operations and a place where you can leave your things when you go to a long lunch.

As I’ve already told you in my Venice post, when we first moved to Italy and were living in Venice for six weeks we went to the Lido to go to the beach late one afternoon. After picking our way through a field of bodies to get to the water we went out swimming, facing the horizon. After less than an hour we turned back to shore very surprised to discover the beach was totally empty. It was, after all, time to leave and get ready for dinner. That was one of our first hints that Italians love to travel in packs.

A friend just told me that there is no exact translation for “privacy” in Italian because it is considered a sad, lonely, irrelevant, and undesirable thing.

2. Don’t forget lunch. We are not talking about a sandwich and soda. The Italian love of lunch — in smaller towns everything still shuts down between 1 and 3:30 — extends to the beach. Make sure to reserve first thing in the morning in one of the many seaside restaurants and plan to take at least an hour and a half. You will want to make sure to have several courses, a bottle or so of wine, dessert, and coffee afterwards. The star ingredients will be all sorts of fresh seafood, especially shellfish. My mouth is watering right now thinking about the black squid ink risotto with mussels I got a bite of. And don’t forget that you will also be having a large and leisurely dinner. (This may have something to do with #6.)

3. The flock migrates. Every year Italians often have their summer vacation with the same friends and family at the same beach, staying in the same hotel or house, and even renting the same cabana or beach chairs. On the Lido there’s a long waiting list for these little huts and chairs as they are rented year after year by the same family, and they are expensive, several thousand euros for a season. One family will rent and then split the cost between numerous relatives and friends who come to share their small plot of beach.

4. Bring toys. It’s vital to have the two paddles and ball that are batted back and forth in the small open territory between the chairs and the water’s edge making walking along the shore impossible. Rafts and floaties are also important. Unicorn rafts seemed to be especially popular this year.

5. A tan proves you were on vacation. Apparently the darker the better is still the thing.

6. Strut in a tiny bikini (no matter your body type or sex.) I love this part so much. I’ve been swimming at the local pool this summer and consistently notice that all shapes and sizes of bodies are showing it off with equal confidence and enthusiasm, often in suits that are so tiny that they are virtually naked. I’ve been so used to the vibe in the States where those who have great bodies strut, and those of us who don’t wish for an invisibility shield, but settle by trying to shrink into the background in swimsuits that cover as much as possible. This equal-opportunity freedom to strut totally changes my relationship to the pool and beach.

7. Do not confuse swimming with exercise. I am always the only person doing laps at the pool and am looked at with concern and alarm as if an intervention might be needed. This was equally true in the sea in Elba. It all came to a head that time I decided that I had to get some exercise at the local pool only to discover that it was Pool Toy Day. I am still American enough that I did my laps anyway. And counted laps on an Apple watch. Oh well.

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Is skateboarding a crime?

One morning the bell on the front gate rings and one of neighbors, a policewoman, is standing there in full uniform. She hands me this piece of paper and tells me that I must call to speak with the police in the next village over about Sebastian and skateboarding.

Sebastian has been really into skateboarding this summer and spending hours every day at a local skatepark with friends. What could possibly go wrong?

I couldn’t make the call until the afternoon as I wanted all of us to do it together, having no idea what we were in for. It seemed to be a good idea to have Donella for her Italian, John for father-figure moral support, and Sebastian, so he could atone for his clearly numerous, although not yet disclosed, sins. I had a significant knot in my stomach all morning.

The moment to make the call comes and we all stand around the kitchen table with the phone on speaker. You can feel the tension. We make the call and it rings. This perfectly nice woman answers and says she’s so glad we called. That she’s a mom and a friend of our neighbor and just wanted to say that our son and his friends have been seen a couple of times skating outside the park—on roads and the main corso, or pedestrian street of the medieval town—which is dangerous and not allowed. She also thought that one of the group was a bit too old to be hanging out with them and just wanted me to know all of this. As one mom to another. Then she wished us a great day.

 

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Why I like going to the dentist

One of the scary things about moving to a new country, culture, and language is doing things like finding a new dentist. There’s such a comfort level built up with trusted doctors and dentists and it’s unsettling to walk into the unknown when your body is involved. I was hoping to find competence, but was surprised to find incredible skill married to something else—that ability to relate on a human level in professional settings that it something I treasure about the Italians.

Our journey started when we had a dental “emergency”. One Saturday morning, the day of a big high school dance, Donella’s front tooth chipped. We got a referral and phoned the dentist, Marco, who we’d never met. Donella explained the situation, and although we were not his patients, he was sick with the flu and had a fever, and the office was closed, he immediately agreed to meet her and fix it before the dance, never for a moment questioning that this was a big deal.

So the whole family started going for the whole range of normal dental stuff. John and I had some quite elaborate crown-like work done with great success. Marco is a film and music buff and has an amazing collection of DVDs. He is equal parts artist and dentist so when you get work done it takes as long as it takes to make it perfect, which gets even longer when he stops for minutes at a time to analyze a scene from a movie that we are watching, or to search for an obscure piece of music that he is reminded of by the piece that’s playing.

But then we needed to have Donella’s wisdom teeth taken out. My American worldview is that there’s a line you cross with things like wisdom teeth and root canals where you need a specialist oral surgeon, so I was surprised when our dentist said he could do it. With great trepidation, but a foundation of trust we built about his skill, I agreed.

The Italian style of removing wisdom teeth is that you take one or two out in a session. We insisted that all four be removed the same day, which he was very reluctant to do, but said he’d try. We show up for the procedure and I ask about what beyond normal numbing is given for pain—I certainly needed every bit of the “twilight zone” I was in when I had mine removed. Donella is a bit odd about teeth—loved when she had loose teeth and she could wiggle them out. She was the go-to kid in elementary school for all the other kids with loose teeth cause she was so good (and fearless) about pulling them out. But that’s really different from having wisdom teeth pulled.

He said he nothing beyond numbing. I insisted that we at least had some Valium on hand in case she needed it during the procedure and he agreed and wrote a prescription. I went off to the nearby pharmacy to fill it, especially after seeing the array of tools on hand.

I return to the office just in time to hear Donella scream. I instantly morph into super-Mom calculating how far to the nearest airport, how quickly we can get her to a surgeon in the States, etc. etc. I go to the door, peek in, in my best confident voice assure Donella that I am back, standing by if she needs anything, and silently willing her to walk out if needed. Turns out that the shot for numbing was a bit more intense than she’d expected.

In the waiting room I am shaking and feeling a bit sick with nerves, really regretting this level of going local. About twenty minutes pass and then I hear laughing, cheering, and chatter. The dentist comes into the waiting room holding a tool with one tooth aloft. I go into the room to discover that he’d let Donella remove her own tooth, and she is saying this is the most fun she has ever had.

Hmmm. This was turning out a bit differently that I was thinking. The scene repeats itself three more times—she ends up removing two of the four herself. After all four are out the mood in the room is completely triumphant.

The dentist later admitted to Donella that he was so stressed about removing all four that immediately after the only thing he could do was drive to the sold-out Umbria Jazz festival, where he met a guy outside selling an extra ticket for a front-row seat. He stood there for hours, soaking in the music, and celebrating an excellent day in the office.

 

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Changing the air

It’s been hot this summer—not like it was in France—but still hot. In case you are curious about how Italians manage the heat, considering that there is almost no air conditioning, here’s how it’s done. Most buildings are made of stone with thick walls that serve as insulation. You air the house out in the early morning when it’s cool and then shut all the windows, keeping the cooler air inside. (The Italians call it changing the air.) Shutters are very handy because if you close them on the sides that get direct sun they provide a second layer of insulation.

This morning this is what greeted me in our bathroom during the morning airing, and I thought it was pretty.

 

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A line of Indians

(Part of a series on driving in Italy.)

When you are with a group of Italians who suggest all following one another to a restaurant, at a location about an hour away, in seven separate cars, and they aren’t sure exactly the name or location of the destination so can’t provide it for your GPS, but aren’t worried as you will all follow each other in a fila Indiana, just say no. Make up any excuse. Trust me.

This just happened to Donella and I leaving a horse show about two hours south of us. A big celebratory dinner was in order for the group, and we were off. Donella informed all of them that she’d just gotten her license and that she didn’t want to go too fast, and all agreed.

Here’s what happened. They were all perfectly well-intentioned to be easy to follow and not to lose the rest of us in line. (Of particular importance to me, as the last car.) But then then divided freeway opened up in front of the first car after the small rural roads. And the lead car saw the second car following him closely and did what any Italian’s instinct is to do. Speed up. This whole thing magnified kilometer after kilometer for our 70-kilometer jaunt. Although this was not a particularly great road—certainly no autostrada—we were all following each other at speeds up to 160 kilometers per hour (99 miles per hour) on a road where the maximum speed is 110. I was white knuckling the whole thing as our little train of cars passes car after car. We even passed an Audi. (If you remember from a previous post Audis are usually always the rude car behind you trying desperately to pass.)

Donella was in front of me, driving our old car which starts shaking madly at more than 130. (The other cars in our group included a Porsche and a Mercedes.) I didn’t want to call her to tell her to forget the whole thing because I didn’t want to take my attention off the road for a second, nor hers. I’m terrified, angry, and amused, and don’t have the language or cultural chops to take this on. I wonder what a real parent (not someone who merely pretends to be one) would do in this odd situation. The obvious thought to overtake her and then slow down—a lot—did not occur to me. I reflected that I probably wouldn’t be having this problem with a group of Americans taking a bunch of kids to dinner after an athletic event.

We reached a section of road work where we all merged into one slow lane and after that things got better. Turns out Donella had called the lead car when we were all going slowly and told them off.

When we arrived at the restaurant Donella and I were shaking. I sat next to the lead car driver, who I don’t know well, and felt struck dumb to address what I was feeling. When I calmed down a bit I asked him what happened, and he said that he saw the second car following him closely and thought that they wanted him to go faster, which he did. I guess there was some part of the concept that the car was supposed to be following that was momentarily lost. For 70 kilometers.

So, just say no.

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