Tuscany Archives - Itch.world
A three-minute escape to Italy.
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Pregnanxiety

I love my village. And what I love the most is not the food, or the wine, or the rolling Tuscan hills, or the thousand years of defensive hilltop architecture, but the spirit of the place. I treasure the events that mark the seasons every year—festivities profoundly of this place, created by this place, and for the locals. Almost every month something rolls around. More in the summer. The fall festival honoring our patron saint and a fat spaghetti, called bringoli, that’s only made in our town. The vintage bicycle race that attracted over 900 participants this year. The local Vespa club that dresses in Santa costumes and races into the square on Christmas Eve, at exactly 6pm, to distribute toys to the assembled kids under the enormous Christmas tree. Carnivale, when hundreds of spectators dress in costume and watch the farmers pull floats with their freshly-washed tractors. The polenta festival to cheese rolling, we are always busy.

But in late summer, the local play, Tovaglia a Quadri, has a special place in my heart. The play is written fresh every year by Andrea Merendelli and Paolo Pennacchini who delight in collecting everything from the small details of daily life to huge societal trends and synthesizing them into a rapid-fire, witty, and farcical play, the acts separated by aperitivi, pasta, the main course, and dessert. It runs for ten evenings, and they have done it for 28 years without a break.

The play takes place in the courtyard of a neighborhood castle dating from 1234 with long tables set in the middle. The action occurs all around the diners, with the sixteen actors popping out of windows to deliver lines, and walking through the middle of the diners. We booked four tickets together at one of the long tables and sat down to greetings by our dining neighbors and large, open flasks of red wine.

This year’s play, Gravidansia, is a mash-up of the Italian words for pregnancy and anxiety. It wraps the declining Italian birth rate (one of the lowest in the world), the difference in funding between the private and public health sectors, the economic and social reasons people are not starting families, and rodents, into one package. The premise is that the castle is now a state-funded care home for the elderly, the booming demographic. The presiding doctor trained as an OB-GYN, but with nobody having babies he now needs to work in elder care and is always worried about when the state funding will arrive, and if budgets will be cut further.

The swirling plot features an old, male farmer, who now dresses as a woman and is convinced that he is pregnant; two of our waiters shouting at each other while they serve us—a couple on the verge of a breakup as they face their bleak economic future together; a young professional couple who keep circling by the tables as they run laps, checking their times on fitness watches, and eating protein bars—treasuring their child-free lifestyle and too busy to have kids despite their uncle yelling out the window of the care home that he will give them the best apartment on the village square if they provide heirs. Another doctor arrives on the scene, who trained as an OB-GYN with our protagonist, but paths have diverged. He founded a group of very successful, high-end private clinics providing fertility treatments.

All these plots soon center on a loose mouse, long bothering the facility, captured by the local exterminator. Instead of destroying the mice he has captured through the years, he has sold them to the fertility clinic the visiting doctor runs, to be used in genetic research. The doctor has brought the alpha mouse from his clinic in a small cage. She is the mother to a long, important line of mice and has stopped reproducing. The doctor is hoping that by introducing a wild mate she will regain interest in her procreational duties. He has come for the just-captured mouse for his new blood that will rejuvenate the line. The two are put in the same cage but ignore each other.

The visiting doctor goes inside the care home and is touched by the beauty of the place and the frescoes of the old castle as the older residents reminisce about how their families used to be living close to the land—brutally hard times but filled with life. The 11-year old daughter of our protagonist doctor is chased by the doctor and exterminator after she frees the two mice from the cage. The visiting doctor has a change of heart—only by releasing people, and mice, from their cages and returning to beauty and a sense of place will people want to continue the race. He wants to help turn this castle into a center for the beginnings of life, as well as endings.

I remain amazed how this is pulled off with local writers, director, and actors, many of whom I often see around town. I am understanding more every year, but am jealous of Sebastian who gets it all but can only translate highlights as it’s so rapid-fire, and the laughing crowd, enjoying every twist and turn.

In case you were worried about the mice, in the closing moment of the play one of the characters spots them on a rooftop, finally “getting along” rather well in their new, freed state.

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Is it getting hot in here?

Yep, it’s hot. And here’s how I am coping in a land with almost no air conditioning and heat into the 100 degrees. Although we have not had it as bad as many places it’s still enough to completely change my daily routine, and mood. In a good moment I can appreciate that the sunflowers are at their crazy best and the cicadas are singing, although the chickens at the farm stand have stopped laying and our cats remain motionless on the stone floor for most of the day, which does remind me of the physical toll of this kind of heat.

Our house is made with thick stone walls, around two feet, which provide some insulation. We open the windows at night to try to cool the walls and floors as much as possible and then close the windows, outside shutters, and inside scuri to put as many layers of protection between us and the sun as possible when it starts to heat up after about 8 am. The scuri are wooden panels on hinges that you can close over the windows on the inside and it is not an accident that the word scuro means dark. The effect of these heat shields being in place is quite cave-like in certain rooms. I just saw Dune for the first time during this heatwave and the heat protection techniques they were using on Arrakis felt like my daily life. Minus all the really great hair.

During daylight hours, within our dark rooms, I rarely leave the side of my fan. Which may, or may not, have had an odd side effect on our dog, Lola. She’s often at my side, so is equally often in front of a fan. Lola likes to pull on the leash and we often forget her walking halter. We’d taken her to lunch with us and on the way into the restaurant she’d seen something interesting and was pulling unusually hard on her collar. Later that day she started having a very dry, continuous cough. I start searching the internet and was convinced that she had developed a collapsed trachea from damage to her throat from pulling on her collar. I rushed her to the vet as soon as they opened after their four hour lunch break. Fortunately, unlike most emergency visits to the doctor with our children, she was still coughing and spewing when we got to the vet. He took one look at her and asked if we had air conditioning or were using fans. When he learned that she was frequently in front of the fan he said that was the reason for the cough—he’d seen five other dogs with the same issue in the previous few days. Avoid fans and drafts and she would be fine. I was convinced he was crazy because heat is a trigger for symptoms of a collapsed trachea and it could be that these five dogs also had this undiagnosed condition that the heat brought out. The old correlation/causation chicken and egg. But weirdly enough, she has been fine since we’ve kept her away from me and the fan.

This diagnosis should not have surprised me. The Italians we know fear drafts. We were having lunch in a restaurant that had air conditioning, and we were seated right under it, enjoying the respite. Six people were shown to the adjoining table. They looked with great concern in our direction and I was worried that one of the kids was scared of dogs, because Lola was with us. They exited in about a second with fear on their faces and went to an outside table in the heat. Sebastian said they’d told the waitress that they were all sweaty and couldn’t possibly sit in front of an air conditioner or they would all get sick. During the height of Covid, in the winter of 2020, we were not eating inside restaurants. On a road trip Donella and I stopped at a restaurant to have lunch which was packed with people eating inside. We asked if we could sit at an outdoor table right next to the front door. The waitress started complaining to the manager that by going in and out into the cold she would surely get sick. She seemed unconcerned about working in a room with a hundred unmasked people in close quarters in the days before the vaccine.

Because I need more exercise than getting out of bed and up from my desk to adjust the fan my big adventure of the day is to go to the local pool, run by a family. It’s a fantastic Italian social scene populated by everyone from grandparents to the tiniest babies. It’s the kind of place where I leave my wallet and phone in full view while I swim without a problem. I game my entry carefully and try to get there late enough that most people will be leaving so that I can have the pool relatively empty to swim some laps, and so the dad will let me in at a discount. Even at six the pool is usually packed and I am the only one trying to swim anywhere. There are more kids than I can count and the water is always unusually warm. This makes me glad that I swim with my head above water. The visibility my technique provides is a good thing because it has never entered the head of anyone who is standing in the pool to get out the way of someone trying to swim.

There’s only one lane. For some reason this seems to be the most attractive spot for groups of people to stand in the water and talk. When I am swimming I sometimes remember when we still lived in Berkeley and I was swimming one evening in the pool at the club we belonged to. The whole pool was divided into lanes and there were two people sharing every lane except for one. The lone swimmer was at the other end of the long pool and I slipped into the water and started swimming. When we met in the lane mid pool the other swimmer started shouting at me because she didn’t want to share a lane. I often want to plunk her in this Italian pool, just to watch her reaction.

When I swim in the main part of the pool it gets even more interesting as there are kids diving, people playing ball games, couples cuddling and flirting, and many more people standing in groups talking. Not to mention the occasional pool floating toy days which I can never keep track of. I try the best I can to weave through it all and avoid getting hit in the head by a ball or run into more than once. Today there was a very cute little Italian boy wearing Spiderman arm floaties who had an industrial strength water gun and was soaking everyone in the face. This is when having one’s head above water is not ideal. There is also a swim class taught by the daughter of the family who runs the pool. The class is mostly made up of eight to ten-year-old boys and the instructor wears a constantly changing selection of the tiniest bikinis I’ve ever seen, either on a Kardashian or in real life. I am sure the boys don’t notice.

The grocery store is another air conditioned mecca, but equally crowded. Sometimes I forget that the Italian ideal is not one of efficiency—get in and get out as quickly as possible—but one of social optimization. The more people you see and the longer it takes the better. This often means that I leave my cart in a corner and ferry purchases back to it because it is too complicated to get my cart through the aisles on a Saturday morning, which is prime time. Like at the pool, there’s little of the American sense of personal space—I pull my cart to the side so that others can get by. Nope, carts abandoned crosswise in the middle of aisles, or a whole group of carts grouped around the one with the baby in it. It’s also the kind of place where I went to the customer service booth recently with a question and the woman there spent about five minutes trying to solve it. With many thousands of euros of cash on the counter next to her in plain view. She was completely unphased.

It’s in these moments that my Americanness runs full tilt into my adopted homeland. Why can’t I just efficiently exercise and cool down? Why can’t I get my cart through the aisles on a Saturday morning? Because that’s not what’s important here. Efficiency, competitiveness, and the sense of entitlement of my lane partner in California who didn’t want to share has nothing to do with the my daily reality here and I am the better off for it. These things—flirting in the pool, Spiderman with his water gun, the lateral tossing ball game with six players who used the entire width of the pool—are the things that people remember and that matter. How many laps I swam is meaningless and I know it.

We had American friends visiting and I was hanging out late at night with their eleven-year old in a park watching everyone from three-year olds playing soccer to old men playing bocce ball. I was telling her that everyone knew each other and that the three-year olds would turn into the old men, probably in the same park. She said that she was discovering that Italy was like a peach, easy to break through skin with sweetness inside. And that Americans were more like dragon fruit, very hard to break through the surface, but still sweet inside. I am enjoying that thin skin and the easily accessible sweetness inside.

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Brescia

Just go: Brescia

An unexpected visit to Brescia revealed a delightful town often overshadowed by its neighbors—Venice, Verona, Padua, and Milan—but packed with beauty, history, and great food.

We haven’t even hit May and yet friends are reporting epic crowds in all the usual suspects—Venice, Florence, Rome, Cinque Terre, Amalfi Coast… As special as all of these places are, when you can’t even walk down the Spanish Steps in Rome because there are too many people it takes all the pleasure away, at least to me. One of the joys of living in Italy is the seemingly limitless supply of beautiful and fascinating towns to visit that are still uncrowded—and we accidentally found one last weekend.

John and I are still trying to master the Italian medical system and when a friend suggested we check out a modern clinic in Brescia for some routine doctors’ appointments we decided to make a night of it. I knew almost nothing about Brescia except that it was one of the cities on the front line when Covid arrived in Italy in January 2020. Arriving with no expectations we couldn’t believe what we’d happened upon—a beautiful town filled with architectural gems, a history of diverse cultures, and some great food. Best of all, we heard almost no English and saw almost no tourists despite it being a UNESCO World Heritage site.

Brescia sits at the foot of the Alps, whose snow-covered peaks were visible, and close to Lake Garda and Lake Iseo. Although it is a city of 200,000 and surrounded by industry, the old town is compact and beautiful. We wandered around with no agenda and happened across one beautiful little piazza after another ringed by restaurants and bars serving aperitivi at outdoor tables.

What makes Brescia so fascinating is its layers of history. There are remnants of Bronze Age settlements, later the first part of the city was founded in 1200 BC by either the Etruscans or the Ligures people, then it was inhabited by the Celts, followed by the Romans, then the Visigoths and Attila the Hun, then the Lombards, on to Charlemagne and French rule, then the Venetians…and this only gets us caught up to 1512. These layers play together in intriguing ways.

On old Roman ruin incorporated into an apartment building

The ancient old town is surrounded by palazzos built in the Renaissance. For dinner we decided to go to Veleno, located in one of these palazzos built in the early 1700s. The food was a bit uneven, but the decor was stunning. There is even a Michelin-starred option in town.

Verena Restaurant Brescia

Our morning stroll took us up to the castle and its extensive gardens, built on top of the Bronze Age settlement. As one of the largest castles in Italy it dominates the hill that overlooks the town. Then we wandered into a stunning piazza where two cathedrals were jammed next to each other next to a palazzo with a huge bell tower where the city’s offices are housed. The Duomo Vecchio (Old Cathedral) sits snug up against the Duomo Nuovo (New Cathedral), started in 1604. The Duomo Vecchio is a stunning example of a round Romanesque church dating from 1100, but my favorite part was going into the crypt and finding a complete tiny church from 762 with a forest of columns supporting the low ceiling.

© Gonzalo Azumendi / Getty Images

At that point we were satiated but decided to push on and go to the Santa Giulia Museum, housed in a monastic complex of Longobard origin. In its 150,000 square feet the museum houses archeological finds from the Bronze Age on. But it’s not just about things in cases—there are two excavated Roman houses, the Longobard basilica of San Salvatore (8th century CE), the Choir of the Nuns (early 16th century) and the Romanesque Oratory of Santa Maria in Solario (12th century), where the nuns kept the monastery treasure, all skillfully incorporated into the museum.

Despite being spacey and hungry we had a reservation at the archeological park which is part of the huge museum complex and we were told by several people that we cannot be late. We go back outside and walked past a large Roman theater to meet our guide in front of the towering Roman Capitolium (73 CE).

Our guide assembled our group of twenty and took us down a staircase into a small room to watch a film for 5 minutes. This isn’t just about information—we were in an airlock where our germs and the humidity and temperature are being controlled before we can go into the next room which is a Roman sanctuary dating back to the early decades of the first century BCE with vibrantly-painted frescoes—some of the best preserved other than at Pompeii.

After we all have our fill we go back up and into the Capitolium where we again entered an airlock before we could see the Winged Victory, a bronze statue from the early years of the first century BCE, high on a pedestal in all her 6 foot 6 glory.

Lunch, a quick wander through a pristine Renaissance piazza, the Piazza della Loggia, the oddly beautiful Piazza della Vittoria, an Italian art-deco piazza created in the late 1920s, then home, exhausted but barely having scratched the surface of things to do.

Brescia is also home to the famous Mille Miglia vintage car race where some of the most rare antique cars in the world leave museums and are driven for 1,000 miles in Italy every year. Brescia and Bergamo are sharing Italy’s “capitals of culture” designation for 2023.

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Italian Porsche hearse

Six things that are different in Italy

Observations from my recent, quick trip to the States. After ten years of living in Italy I am often amused by the cultural differences between the US and Italy, and in the ways I’ve gone Italian native.

I didn’t see a single Porsche hearse the whole time I was in California.

Nor a Maserati hearse like the one that has, on occasion, passed me in our village when I was going too slow.

All those wasted parking spots

I was in a multi-level parking garage with a friend in her car and we were driving around looking for a spot. It was painful for me (yes, actually, in a way) to pass all these perfectly good places to put a car that somehow had been overlooked by the people painting the little white lines. For instance, every corner. Huge spot for a car to come in at an angle with no possible problem for the cars on either side to back out. Screw the little white lines. AND NO ONE, NOT ONE SINGLE CAR, WAS PARKING THERE ANYWAY. And we continued spiraling up to level four. My driving has definitely become more Italian. (More observations, and photos, about the Italian gift for parking.)

But I want to buy something

I popped in and out of a variety of small stores during my visit. I’d always pause at the entrance, waiting for eye contact and a greeting by the sales clerk, and that faint nod of permission to enter. Never happened. I’d be the only one in the store and the person standing behind the counter, doing nothing, would not look up and say hi. Or goodbye. Completely ignored me. I have a strong response to this as it feels wrong.

Meanwhile, in France and Italy, one would never enter a store without greeting and being greeted—and not in that creepy “how can I help you” kind of way. Leaving a store in Italy usually involves multiple salutations. There’s almost always an exchange of grazie followed by an arrivederci or ciao, depending on how well you know them, topped off by a buona giornata or buona serata, wishing you a nice morning or afternoon.

This evolved from a long history from when most shopkeepers lived above their stores, so the shop below was an extension of their living space. I can imagine that one would have always paused and waited for that nod to enter, and would always say hello and goodbye. And this tradition of greeting still continues, without fail. Some people still live where they work. Many little businesses exist around us where the family lives over their workshop or small factory.

It’s also a great thing for visitors to France and Italy to pay attention to, otherwise it’s easy to come across as rude. And it just feels nicer to say hello and goodbye to the other humans in the room.

Live to work or work to live?

I got caught up with quite a few friends when I was back and a good bit of the conversation was around work. What was good, what was challenging, what was next. This is a pattern so ingrained in me that I barely notice when I slip back in, and only in retrospect do I realize that in my Italian life work rarely comes up. People talk about vacations, family, food, or complain about bureaucracy, weather, food, or family, but rarely, if ever, is work a topic of conversation. Work is what you do, but not who you are.

And it’s not just this way in Italy. I spend a lot of time in Paris and have been watching in fascination as Macron is attempting to reform the pension system by raising the retirement age from 62 to 64. (France is an outlier in retirement age for Europe, for example, Italy’s is at 67, Germany at 65 and 7 months, and the UK at 66.) France is weathering a storm of protest strikes showing that this reform is a dagger to the heart of many of the French people who see work as a means to an end and don’t want to do it a minute more than necessary.

Does this mean that they are all lazy losers? The story is more nuanced than that. Paris has a thriving startup scene which I would have expected to play by the US rules rather than the European ones. But talking with friends who migrated from the Valley to Paris and invest in startups, the informal rules in France are different. There is less pressure to work unbelievably long hours. The work day tends towards 9-5 or 6, but, according to my friends, the employees work with focus and productivity during this time. They noted that at many large and small technology companies they’d worked in America people were there for longer hours, largely because it was culturally impossible not to, but during those extended days there was some time spent basically goofing off. (This supports every scientific thing I’ve read about the brain’s attention span—it is hard work to think and we can’t sustain it for long spans of time with any effectiveness.) Our friends feel that there is a lot less of this in their subset of French companies. They want to work, get out, and live. This is a tiny, totally unscientific sample, but I found it to be an interesting perspective. For me, it’s probably like so much in life where the art is in the middle. I’d be very curious to hear you opinions on the productivity of the American work till you drop model, and if work at home has changed it or not.

Who is tipping who?

Everytime I am back in the US the screens asking for a tip with a transaction seem more ubiquitous. I get it for people making me something but still cringe a little when I am buying a bottle of water or something else packaged and all they need to do is ring me up. I understand the cost of living pressures and the need for a living wage but the awkward moment that arose every time I paid for anything really got to me, especially as I am out of practice tipping.

Here in rural Italy tipping is just not done. I’ve had wait staff run after me with 20 cents when I’ve rounded up. What happens in most transactions is that they knock something off the total—sometimes quite a bit—because you are a frequent customer. Say you are getting a pizza and it comes to €23 they will often say you can pay €20. And it doesn’t matter if you are paying by cash or card. It scales up from there for more major purchases or work on the house. This happens on a substantial percentage of all transactions, and I’ve even had it happen in big cities. The idea is that you are a valued customer and they want to show their appreciation for your business. Tipping is more common in larger cities and where there are tourists, but what’s appreciated, and I have never felt at all expected, is rounding up. Say a bill comes to €48 it’s nice to leave €50.

I didn’t get called tresora, bella, or cara once

I like these endearments probably more than I should. And it’s not just something that is directed to women. These forms of address are equal opportunity. And often men, even professionals, will call each other darling, greeting each other with a “Caro, come va?” Una bella cosa.

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Valtiberina with Montedoglio

Finding a castle out my kitchen window

Certain windows of our house, including the one over the kitchen sink, look out over the Valtiberina, or upper Tiber river valley. We are partway up a hill and look across the valley to a series of hills framing the other side, all of which are a part of my daily life but have never been properly investigated. There’s one distinct hill that I’ve had a passing curiosity about that I’ve never explored as I had no idea how to get there and it was never higher on the list than, say, laundry. The hill sits quite distinctly apart like a giant, softly melted Hershey’s kiss set down in the middle of the terrain.

Last Sunday a friend suggested that we do a hike around the Montedoglio castle, which I’d never heard of. When we arrived at the ruins I realized that I was on top of this distinct formation looking back towards our house. And that I have been looking out every day at a 1,000 year old castle with a rich history that I didn’t know was there. It passed from wealthy family to wealthy family, along with the Camaldoli monastery for a period, usually changing hands at the end of a family’s male line. The Germans took it over in WWII because of its strategic position and it was bombed by the British Royal Air Force during the Anglo-American advancement up the Italian peninsula. The Germans blew up what was left during their retreat and mined the ruins and fields.

One of the joys of living in Italy is that you never know if there’s a 1,000 year old castle right under your nose, or your kitchen window, and that Tuscany seems to always offer up more to explore.

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The affair

When Donella was in high school one of her favorite classes was art history. This was curious to me as I’d tried to interest her in this subject throughout her life with absolutely no success; I used to be fairly passionate about art history and had even done a yearlong work/study program at a London auction house. After we moved to Italy it seemed relevant that she could tell a Parmesan from a Parmigianino, but she was deeply disinterested. One day when we were in Arezzo and she took me into a church to see the Cimabue Crucifix and I knew something had changed.

It all had to do with her art history teacher. There’s a certain type of small-town Italian beauty aesthetic that I find endlessly fascinating. The opposite of the French less is more mantra, this type of Italian woman believes that more is more—there’s nothing shiny, sparkling, towering, tight, or colorful that’s ignored, often in the same outfit. I adore this as it’s completely independent from natural beauty, designer trends, or idealized body type. When the Italian small-town woman is wearing gold stilettos, a tight leopard-patterned skirt, and a purple fur jacket, and is properly made up with heavy makeup and perfectly-styled, vibrantly dyed hair there is simply nothing she can’t do, no head she can’t turn, no man she can’t have. I watch in endless fascination, clothed in my uniform of jeans, oversized sweater, and distressed sneakers, wondering if I’ve ever felt this kind of female superpower.

In this realm, the art history teacher reigned supreme. She was in her seventies and Donella would often report the day’s curatorial choices to us. “Tight leather pants, over the knee platform boots, and a gold lame sparkly, tight sweater.” The class was mainly girls, and they all followed this woman’s every move closely, like groupies.

She obviously was covering the curriculum, hence the Cimabue detour, but as in all things in Italian education most of the real learning was off-syllabus. One day a female student was obviously upset and not paying attention. The teacher halted the lesson and asked what was happening in her life. The girl, tears pouring down her face, revealed that she’d just had a breakup with her boyfriend. The teacher promptly said that they needed to turn their focus from Renaissance perspective to much more important things, and to circle the chairs around. The couple of boys in the class sat in the perimeter.

The relationship story was revealed, with much commiseration, and then it was the teacher’s turn. She counseled the girls that they really had to watch who they fell in love with because the wrong choices could bring great complication. She, for instance, had been married for many years, but also had been having a long-term affair with another teacher down the hall, in the same school, who many of the students also had as a teacher. Her husband and lover even shared the same last name. Although she loved both men this romantic triangle had made all of their lives difficult and perhaps this romantic situation might have been better to avoid. 

Donella came home that day with her eyes particularly wide as this was the kind of curriculum she hadn’t run across in school in California.

……. More to come on educating kids in Italy.

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Little treasures of 2021

Here are some of my favorite adventures and discoveries of the year. If you’ve stuck with me this long you know that as much as I love an over-the-top Relais & Chateaux-type joint I find even more delight in small places that may be a little rough around the edges, but are one of a kind. A couple from this year have stuck in my mind with such fondness that I figured you have to know about them.

Greater Bologna

The photo above is from Ca’ Lo Spicchio, a house from the 1500s in the mountains about 45 minutes away from both Bologna and Modena that offers one room for rent. It’s almost impossible to find, but worth the drive down one-lane unpaved mountain roads, except when Google Maps is insistent that you turn up a goat path. Run by a retired advertising executive and his fashion-industry partner every detail is thought through and done with an attentive eye, from the building restoration to the guest room touches. Their home also includes two dogs, seven cats, two horses, chickens who are the focus of attention from the fox they befriend, and one of the best situated pools I’ve seen. The guest suite has a bed and lounge up more of a ladder than staircase located above the living room with a big fireplace and wood-burning stove. Definitionally cozy.

The Truffle Hunters

One of my favorite films of the year, The Truffle Hunters is a documentary with intelligence, heart, a poetic eye, and humor, beloved at Sundance and Cannes. It’s a breath of fresh air —not one cliched drone shot—with every frame filled with creativity. I laughed out loud several times the first time I saw it as each new scene was a surprising delight, and I could feel the fun the filmmakers had creating it. The film follows a men hunting white truffles in Piedmont, Italy—a notoriously closed and suspicious group who somehow opened up to these two American filmmakers, Michael Dweck and Gregory Kershaw—who shot the documentary over three years. Dweck and Kershaw were able to capture the men’s trials and joy, as well as the cutthroat, competitive world of selling and marketing this high-priced delicacy when supplies are dwindling due to climate change and competition. It embodies so much of what I love about Italy, and the Italians, and I hope you get as much joy and inspiration from it as I did.

Tivoli

On a trip to pick up Sebastian at the Rome airport we spent a night in the small town of Tivoli, which is more car-friendly than driving into the center of Rome. What started out as a night of convenience turned into love. Tivoli is the nearest town to two of greater Rome’s heavy-hitting sites—Hadrian’s Villa and Villa d’Este—but it turned out to be charming in its own right. The modern outskirts that you spiral around to reach the historical center on a plateau are not promising, but once you get to the old town it has that mix that I love—real, working, a little dingy, and bursting with life.

At night we walked Lola down a dark, narrow medieval street when from behind a shuttered second floor window we heard “Alexa, spegni la luce” (“Alexa, turn off the light”). Perfect moment.

We stayed at the Residenze Gregoriane, which is part of a palace from the 1500s. It has only three rooms, decorated in an older Italian aesthetic, and serves breakfast in a perfect courtyard adorned by frescoes and mosaics created by some of the same artisans who worked on the Villa d’Este. The family who runs it is one of warmest and most welcoming we’ve run across, which is saying a lot in Italy.

We visited Hadrian’s Villa on a very hot day and we lost our breath in more than one way. Another visit is in the cards during the cooler months. Built between 118 and 138 AD the ruins of this single palace are extensive and gorgeous. It has been revered since Renaissance times and I had one of those moments, which I occasionally get in a Roman ruin, where I am overcome with the sophistication, beauty, and grace of the lives of the elite Romans. This architecture had a goal of impressing visitors, no doubt, but it transcends its “look how rich and powerful I am” mission into something profoundly pleasing. Which many of other such palaces don’t. Looking at you, Forbidden City.

Also near, and somewhere I am excited to visit, is the Villa d’Este, started in 1560. A masterpiece of Italian garden design, it’s known for its fountains, including one that is an organ fueled by water.

Tivoli is a great base for those seeking a deeper experience of Rome beyond the main sites in the center. Close by is also the Temple of the Vestal Virgins, among the other UNESCO sites.

Maremma

This part of Tuscany, bordering the Tyrrhenian Sea, is not very well-known. On the mainland there are many Etruscan sites and gorgeous beaches. Just off the coast are the islands of the Tuscan archipelago. We went for an a couple of nights to the Hotel Torre Mozza, with seven rooms. Our room was in the 16th-century watchtower that juts into the Mediterranean and had a door cut through the thick defensive walls opening over the waves.

The island of Elba is a short ferry ride away from Piombino. I had spent several days on the island a couple years ago, but this trip we just went over to the island for memorable lunch on a small square at the Trattoria Moderna di Matteo in the tiny town of Capoliveri.

“Ancora Tu” by Lucio Battisti 

Sebastian introduced me to this Italian mega-hit from 1976, “Ancora Tu” (“You Again”), from one of Italy’s biggest musical stars of the 1960s and 70s, Lucio Battisti. I just love the poignant way it captures the magic of a familiar love.

You again, it doesn’t surprise me, you know. / Ancora tu, non mi sorprende lo sai.
You again, but, weren’t we supposed to not see each other any more? / Ancora tu, ma non dovevamo vederci più?
And, how are you? Useless question. / E come stai. Domanda inutile.
You’re like me, and we can’t help but laugh. / Stai come me, e ci scappa da ridere.
My love, have you eaten or not? / Amore mio, hai già mangiato o no?
I, too, am hungry and not only of you. / Ho fame anch’io e non soltanto di te.
How beautiful you are, you seem younger / Che bella sei, sembri più giovane
or perhaps you’re just nicer. / o forse sei solo più simpatica.
Oh, I know what you want to know. / Oh io lo so cosa tu vuoi sapere.
No one, no, I just restarted to smoke. / Nessuna no, ho solo ripreso a fumare.
It is still you, unfortunately the only one. / Sei ancora tu, purtroppo l’unica.
Still you, the incorrigible one. / Ancora tu, l’incorregibile.
But to leave you is not possible. / Ma lasciarti non è possibile.
No, to leave you is not possible. / No, lasciarti non è possibile.
To leave you is not possible. / Lasciarti non è possibile.
No, to leave you is not possible. / No, lasciarti non è possibile.
It is still you, unfortunately the only one. / Sei ancora tu, purtroppo l’unica.
It is still you, the incorrigible one. / Ancora tu, l’incorregibile.
But to leave you is not possible. / Ma lasciarti non è possibile.
No, to leave you is not possible. / No, lasciarti non è possibile.
To leave you is not possible. / Lasciarti non è possibile.
No, to leave you is not possible./ No, lasciarti non è possibile.
Desperation, joy of mine, / Disperazione, gioia mia.
I’ll be still yours, hoping it’s not madness. / Sarò ancora tuo, sperando che non sia follia.
But, let it be what will be. / Ma sia quel che sia.
Hold me, my love, / Abbracciami amore mio,
hold me, my love, / abbracciami amor mio,
‘cause now I want it too. / Ché adesso lo voglio anch’io.
You again, it doesn’t surprise me, you know. / Ancora tu, non mi sorprende lo sai.
You again, but, weren’t we supposed to not see each other any more? / Ancora tu, ma non dovevamo vederci più?
And, how are you? Useless question. / E come stai? Domanda inutile.
You’re like me, and we can’t help but laugh. / Stai come me, e ci scappa da ridere.
My love, have you eaten or not? / Amore mio, hai già mangiato o no?
I, too, am hungry and not only of you. / Ho fame anch’io e non soltanto di te.
How beautiful you are, you seem younger / Che bella sei, sembri più giovane
or perhaps you’re just nicer. / o forse sei solo più simpatica.

Il cantautore italiano Lucio Battisti 1969

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Search and rescue—house hunting in Tuscany

When I saw where the “mad” brother had lived for decades, and died in the 1950s, his battered old clothes still hanging on hooks on the wall next to the bare mattress on the dirty stone floor, shaving cream still over the sink, I realized I wasn’t house hunting in the San Francisco Bay Area anymore.

As you might have guessed from the last Itch, when I shared how we purchased our house in Tuscany, nothing is predictable about real estate in Italy. When we were looking for a house to buy we’d already put down roots in our village—kids in school, good friends, about eight percent of daily life figured out, and we were falling more in love with our village every day. One of our local expat friends who had moved from our village to the next town over regretted making this change and said there’s no recreating the first love of your initial bonding with a town in Italy. This meant that we didn’t throw a wide net over several regions to look at “appropriate” properties but went deep locally, looking at every house that might be available in our immediate area, like the mad brother dwelling above. Before we were able to buy the house we wanted all along we looked at about fifty houses ranging from ruins to completely restored, each one a complete surprise.

When you look at real estate in America there is a certain set of assumptions that from my newly found perspective seem pretty boring and to lack imagination, like presuming there will be a kitchen. Here every viewing was an adventure—is there a foundation here under all the brush? Will the tree growing through the roof be difficult to remove? Is that a dead … rat? pigeon? Don’t step there or you will fall through the floor. Can you give me a leg up so I can break through this window to open the door? How hard would be it to put in a road to reach this place? And the nearly universal question, will this smell ever go away? The latter is usually linked to houses where there are still livestock living on the ground floor, but not exclusively. One house, which we were very tempted by, was particularly malodorous with pigs and geese under one part of the house, a dog kennel under another, and rounds of beautiful handmade cheese ripening all over the dining room table.

The American obsession with staging real estate has grown from the old trick of baking cookies during a showing to Oscar-worthy set design that seeks to erase any possible remnant of the current owners so that prospective buyers can imagine themselves in a neutral space full of possibility. If a cosmic antimatter to staging exists it would be Italian real estate viewings. Even at the nicest properties we looked at the agent arrived at the same time as we did, and as Italian houses have thick wooden shutters on the outside of every window and door, we entered with the agent into a world of perfect blackness. The trick during a tour of a cave when the guide turns out the flashlights to show complete darkness would work perfectly at the first stage of a Tuscan open house. The smell of damp, old belongings, and stone is usually pretty ripe. As you stand in the dark the agent goes from window to window slowly revealing where you are standing. Although a couple of houses we looked at were beautifully furnished and restored, where this reveal was a positive one, most had been left in some sort of suspended animation after someone had died, or a family had left. The close family had removed anything of value and left what remained, usually a rather sad hodge podge of old electronics, furniture no one wants, clothing, and the detritus of personal grooming products. Old tools abound. There is no thought to clearing out the buildings before they are put on the market. And often current owners are there for the viewing, watching every response.

If you are lucky there are still glimpses into lost ways of life embodied in the walls. A hundred years ago Tuscan houses would often have stone sinks placed in the walls that drained directly outside—you can look at grass from the drain. Old stone fireplaces are common, although we saw a number of properties where thieves had gotten there first and hacked them out to sell. The ground floor of almost all dwellings were used to house animals—people lived upstairs—which helped to heat houses in winters. Many still have old feeding troughs and stone and brick corners of walls which have been rubbed smooth and semicircular throughout the centuries by animals scratching against them to give themselves massages. And yes, the smell of centuries of animals does come out after much sandblasting.

Some houses come with mysteries. We looked at one where Thomas Becket is said to have stayed when he came through town in the 1150s, commemorated by an ancient fresco. But even more mysterious, and easier to prove, is in the house next door to us that our friends just purchased—I will be writing about the restoration—that has three bedrooms, complete with beds with nasty mattresses, a small kitchen (so far all of this makes sense) and a bathroom with a tiny sink and toilet. There is not a shower or bathtub anywhere on the premises.

There’s an adventure and magic to the hunt here that I will always treasure, and even miss a tiny bit, leading me to drag visiting friends to view especially good deserted houses—with the side effect of increasing the Anghiari population by a couple of families who will be joining us when the properties are done. I love the unselfconsciousness and lack of preciousness of the process and, to me, it reveals more than just an abundance of deserted properties but also as a reflection of the Italian spirit. This is who I am, I am comfortable about the state I am in, and you can choose to be intrigued and go forward, or not. No presentation of perfection to tempt the slightly out of reach more perfect and evolved you that can exist if only you could acquire this house. Just don’t step on the goat poop on the way out.

 

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How to buy a dream

Well, maybe not all dreams, but if buying and restoring a house in Tuscany is a desire of yours, here’s how it worked for us.

We knew from the start the house we wanted to buy, but it seemed impossible. The previous owner had lived there her entire life and died a decade earlier when she was in her 90s. She’d never married or had kids and it had passed on to thirteen heirs, some of whom we heard weren’t on speaking terms with others.

The house loomed just outside the walls of a beautiful village and on a quiet lane. It had been deserted for nine years, affectionately known by locals as the casa abbandonata, and the site of many a dare involving terrified kids trying to find a way inside. It was dark, shrouded by trees, and broken into occasionally, but we (and at least half the town) wanted it badly as it is in a terrific position looking up to the village and down to the valley, surrounded by a few acres, and a ten-minute walk from the piazza.

For years, whenever friends came to visit, we’d inevitably stand on the village walls which overlook the house and the land to “take in the view” but really to show them our dream house. We always added the caveat of “don’t point at it because if the village knows that the Americans are interested word will go out fast,” reflecting our American paranoia of potential bidding wars. Meanwhile the heirs, who seemingly agreed on little, were united that the best way to value the property was to add up what they all wanted to receive and use the total as the asking price, rather than getting a professional appraisal of what the place was worth and dividing by 13. The result was that you could buy a prime vineyard and restored villa in Montepulciano for what they wanted for the house. They hadn’t budged for nine years despite almost no viewings or offers. The house had been in their family since 1777, so a certain amount of irrational attachment was understandable. The villagers who had their eyes on the house had long given up and we had realtors tell us not to even bother trying to buy it because it was impossible.

In Italy the buying process can take years, if not decades (the family of one place we looked had thought about selling it since the 1940s but they still weren’t sure they were ready to part with it). Property taxes are very low, the houses are usually owned outright, and maintenance can be nothing as stone buildings take a long time to fall into ruin. It took us about three years to buy the house from when we first looked at it. We sent out some carrier pigeons about what we’d be willing to pay for the house and they sent out some return birds saying that would be acceptable. So we wrote up an offer with a two week response time excited to move ahead. Seven months later there was no answer and then fate intervened. Someone, or someones, to whom I will be eternally grateful, decided to break into the house and used a tree-trunk battering ram to break down one of the solid chestnut doors. (A villager later mentioned that she’d been driving by, recognized the intruders, and told them off. Can you imagine how embarrassing that would be from the villain’s perspective?) Suddenly, as there was a whopping 700€ of actual hard cost involved with the property to replace the door, the heirs were ready to do the deal. Yesterday. December was upon us and they were in a hurry to close before Christmas because they worried that one of their family, a woman in nearing 100, would die, passing her shares along to her two daughters who hadn’t apparently agreed on anything since 1940. Then the whole deal would have to be renegotiated. The heat was on and the closing date set for December 23, 2014.

John and I had bought and sold a few properties in the U.S. between the two of us so we thought we had an idea of what to expect. As always, Italy is full of surprises. A notaio, or notary, reigns supreme over the sale. As Americans we had to get over our image of the guy at Kinkos with the book and stamp authorizing a signature. In Italy the role dates back to the Romans where they were the legal clerks for the Emperor. Their role evolved in the 1000s when a deed issued by a notary was given a privileged “public faith”, a particular strength. Today they must have a law degree to start, then specialized training to become one of a limited number of public officers of the State, guaranteeing that all parties to a signing are who they say they are and have legal authority to sell what they are selling. They also issue and hold the official deeds. Title company, registrar, and more, all rolled into one.

On the big day we all met at the notaio’s office. Very different from the U.S. where a closing often involves a trip into a sterile conference room at a title company to sign reams of paper, completely separate from the other party in the transaction, who you may never meet, an Italian closing is a spectacle. The office was large, lined with books, and had an enormous table in the middle. We were there along with the thirteen heirs, all seated in large blue velvet chairs. After everyone was assembled the notaio entered, formally dressed, with an air of gravitas. He took a chair, set apart of the others, at the center of the table. Then he started to read the document of sale. This long document contains the name, birthdate and place, fiscal codes, relationships, and percentages of the property of all the sellers. It details how much money each person gets, complete with the check numbers of the issuing bank. It then spells out in great detail exactly what parcels of land you are buying, with whom they are registered, and the relevant contents of the house, among other details.

As you can imagine, this document is long and tedious. Italian notaries have an ingenious solution. There is a particular rapid-fire reading style that they use, akin to an auctioneer, to get through the material. The blazing speed of this blitz of information did nothing to dull the interest of the sellers, however. They leaned forward listening to every detail of who got what, eyeing each recipients in turn. We finally got to the end and everyone signed every page wherever they want with the end document resembling a birthday card that a group has signed.

Then a special moment arrives when the notaio excuses himself. Traditionally this is when any applicable bags of cash are handed over to cover any gap between the recorded and actual sales price. We know people who have lugged significant numbers of paper bags full of money to finalize the deal, which fortunately we did not have to do. The notaio re-entered after a safe amount of time had passed, the keys were handed over, in our case a big wad of them including several antique keys, and big smiles, handshakes, and greetings were exchanged. The sellers, for all their initial reluctance, were warm and pleased that a new history with a family was to begin in their ancestral family house. The deal was done, and the adventure began.

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Ten things the Romans didn’t want you to know about the Etruscans

The Etruscans get a bad rap. When the Greeks and Romans wrote the history of their time they intentionally left the Etruscans out. In the case of Rome, the victors get to write history. The result is that even my daughter, Donella, has a disdain for the Etruscans after spending five years in the Italian school system.

We live on an Etruscan road (the little lane above) and it’s made me curious to know more, as does living with the Tuscans and noting how different they are from the people of other regions—where did this difference come from? I’ve been investigating and here are ten reasons that I’m intrigued by this ancient civilization. (The Etruscans lived from 900 BCE to 89 BCE in present day Tuscany (and far beyond), and gave the region their name.)

1. Women were equals. Woman were literate and some were noteworthy scholars, they participated freely in the public sphere, became judges, dressed in any way they chose, and participated in banquets as equals to men and could drink, dance, and lounge on couches. The contemporary Greeks and Romans thought these women’s rights were scandalous. They kept their own names when marrying and people buried in Etruscan tombs were identified by their mother and father’s lineage. Women in art were represented with their heads on the same level as men, and as having the same torso size, which is clearly a physical exaggeration, but conveyed equality. When the Romans dominated the Etruscan culture women lost all these rights.

I visited the tombs at the Necropolis in Tarquinia (and took a private 2.5 hour tour) and in the Tomb of the Leopards (480-450 BCE) three couples are shown at a banquet. The pair on the right especially grabbed my attention. I think it is one of the most beautiful images I’ve ever seen of a couple’s relationship. There is such energy, enjoyment, and engagement in their body language.

2. They chose equal city-states over centralized power. The civilization was a federation of twelve equally-powerful cities. Key to Etruscan success was the idea that it was better to specialize, cooperate, and trade rather than fight amongst themselves for power. This made them very successful and wealthy. Cities specialized in different things, like mining and metal work, ceramics, food production, or cloth production. This specialization let technology surge ahead, which increased food production, which let more people specialize. A virtuous cycle.

3. The fashion was amazing. For several centuries when the Romans wanted to say someone was really stylish they’d say someone dressed like an Etruscan. In the painting above the women are wearing three different patterns of cloth: stripes, polka dots, and stars. And check out the center musician from the same tomb as he walks through a field of olives with two other band members. His clothes are amazing, billowing backwards as he walks forward. And his shoes are marvelous. The Italian gift for designing clothes and shoes started early.

Etruscan jewelry is also beautiful. I love the things that started with the Etruscans and endure today. The town of Arezzo remains one of the top places in the world for gold processing and design, and its Etruscan predecessor was famous for metal work, including jewelry. Look at these Etruscan bracelets.

4. Italy with no olive oil or wine? The Etruscans brought the cultivation of grapes for wine and olives for oil to Italy from their contacts with the Greeks at the end of the third century BCE.

5. Romans would not have been the Romans without them. The Etruscans predated the Romans and then were subsumed by the Roman Empire in 89 BCE when the Romans stamped out their rights, culture, and language. The Etruscans got the alphabet and numbers from the Phoenicians and passed them on to Rome. The Etruscans also taught the Romans hydraulic engineering, city planning with streets in a grid, fashion (including the toga), architecture (temple design and the Etruscan adaptation of Doric columns) and more. Two of the last Roman kings were Etruscan. The most famous statue of Romulus and Remus and the she-wolf—the symbol of Rome—was created by an Etruscan.

6. They were the creators of the red-checkered table cloth. Some Italian traditions run deep. Check out what the lounging couples are sitting on in the painted scene above.

7. These guys got around. I am always amazed when I learn the extent of trade relationships that existed thousands of years ago. The Etruscans were one of the major players. They traded with Greece, Turkey, Egypt, the Phoenicians, and even the Celts.

8. Social mobility was celebrated. Although they did have slaves, apparently freedmen and women had many opportunities to cross occupations and social classes. One third of the paintings in the Tomb of the Leopards is about this topic. The same figure is repeated four times, starting on on the left as a naked slave and ending up on the right as a well-dressed member of society coming to the banquet.

9. They had great taste. More revered Greek attic vases, or kraters, have been found in Etruscan tombs than anywhere else, including one of the most infamous pieces of art the Metropolitan Museum of Art in New York has ever had, the Sarpedon Krater. This piece of pottery was looted from an Etruscan grave in 1971 and the Met illegally bought it a year later for the most they’d ever paid for a piece of art.  The Krater was repatriated to Italy and moved from its centerpiece position in a Tiffany-designed case to a more humble Italian museum very near where it had been found.

The Etruscans also made Kraters that have been found in Greek tombs.

10. Precocious artists. The fresco is badly damaged, but look at the nuanced leg muscles on the guy on the right (and the shoes!). Predates the rediscovery of perspective and portrayal of anatomy in the Renaissance by 1400 years. And the door to the underworld actually has plaster relief working with the painting to amplify a 3-D effect.

If you are still with me in my rabbit hole I applaud you. If you want more I found this, this, and this helpful as good overviews of the Etruscan civilization.

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